
IN CYTHARIS
The Harp-and-Lute Duo of the XV century
Ailen Monti (Plectrum Lute) – Carolin Margraf (Gothic Harp)
ABOUT US
During our studies at the Schola Cantorum Basiliensis (CH) we specialized in the instrumental repertoire of the 14th,15th and early 16th centuries. Ailen Monti’s research focuses on evidence for the use and function of the harp and lute duo in the 15th century as well as its connection with organ music and intabulation practices of the time. Carolin extensively researches the bray harp, historical playing techniques associated with it, and its prevalence in ensemble music in continental Europe and the British Isles from the 15th to the 17th century.
In our duo the clear articulation of the plectrum lute is juxtaposed by the hypnotic buzz of the gothic harp with its bray pins, a feature that was common for the construction of harps in the early Renaissance and in some places even into the 18th century. The resulting sound is one that to today’s audiences often appears to be reminiscent of instruments like the sitar and is rarely associated with preconceived ideas of sounds that characterized the European Renaissance.
The combination of the respective sonorities and sound colours of our instruments provide a unique and seldom heard listening experience to our audience. Reviving the format of this duo continues to be a source of inspiration and motivation for our ongoing work process.









MUSIQUE ANSIENNE À SAINT MARIE
13 Rue du Couvent, 68100 Mulhouse, France
Musique ansienne à Saint Marie
In tabula: Early music for lute, harp and organ
This program explores some of the earliest surviving sources for lute, harp, and organ at the turn of the 16th century. Interestingly, all three instruments share a common type of notation: the tablature – a practical way of writing music for a specific instrument using lines, numbers, and letters to indicate pitch.
Alongside instrumental pieces, ailen monti also sings frottole and romances, reviving a practice common in courtly settings. Inspired by the domestic music-making of noblewomen in italy, france, spain, and germany, the concert evokes an intimate soundscape: women playing together, singing, and accompanying each other for the delight of family and friends. Through this lens, we present a repertoire of dances, songs, and instrumental dialogues that reflect both historical practice and personal expression.
The ensemble in cytharis echoes the popular plucked duo often seen in iconography. The clear articulation of the plectrum lute is juxtaposed by the hypnotic buzz of the gothic harp with its bray pins. The combination of the respective sonorities and sound colours of these instruments provides a unique and seldom-heard listening experience to our audience.
Ailen Monti - Lute and Renaissance guitar
Michela Amici - Gothic harp

Festival ReRenaissance 2023 (Biennale) Music and Power - Maximilian's Triumphal Procession
Music and Power Roundtable, “…und heute?”
Maximilian's Triumphal Procession


Utrecht Early Music Festival - Fringe
Utrecht Early Music Festival – Fringe
In Cytharis vel etiam in organis
With the kind collaboration of Matthijs van der Moolen (Trombone)
PAST EVENTS
FOLLOW IN CYTHARIS