ABOUT US

During our studies at the Schola Cantorum Basiliensis (CH) we specialized in the instrumental repertoire of the 14th,15th and early 16th centuries. Ailen Monti’s research focuses on evidence for the use and function of the harp and lute duo in the 15th century as well as its connection with organ music and intabulation practices of the time. Carolin extensively researches the bray harp, historical playing techniques associated with it, and its prevalence in ensemble music in continental Europe and the British Isles from the 15th to the 17th century.

In our duo the clear articulation of the plectrum lute is juxtaposed by the hypnotic buzz of the gothic harp with its bray pins, a feature that was common for the construction of harps in the early Renaissance and in some places even into the 18th century. The resulting sound is one that to today’s audiences often appears to be reminiscent of instruments like the sitar and is rarely associated with preconceived ideas of sounds that characterized the European Renaissance.

The combination of the respective sonorities and sound colours of our instruments provide a unique and seldom heard listening experience to our audience. Reviving the format of this duo continues to be a source of inspiration and motivation for our ongoing work process.